For A Little Extra Publicity - A Division of Ton-Up, Inc.

"Waiting for Diamonds," the long-anticipated third album by Milwaukee, Wisconsin's Toy Machine Gun, is out today on digital music services everywhere through Ton-Up Records. Recorded during the 2020 pandemic in Seattle, Washington, at M.A.R.S.

Business titan Gary S. Monroe and his teams in Los Angeles and New York are working to bring Zoom Fins LLC's manufacturing back to the United States from Southeast Asia. Mr. Monroe shared, " Our President, Donald J.

"Good things come to those who wait," and on September 18, 2026, Ton-Up Records will release "All the Same," the first single from the long-awaited third album, "Waiting for Diamonds," set for release on October 16th.

Poison Love, Blood on the Saddle's 1986 follow-up album to their critically acclaimed self-titled debut, celebrates its fortieth anniversary this year.

Broadway World's "Best Female Vocalist," Quinn Lemley, is extending her successful run at New York's Triad Theater with five new dates (June 4, July 16, September 17, October 22, and December 10, 2026) alternating her shows, "Swinging Hot Tomato" and the.

Poison Love, Blood on the Saddle's 1986 follow-up album to their critically acclaimed self-titled debut, celebrates its fortieth anniversary this month.

Ton-Up, Inc is pleased to announce that Philip Paul Kelly's music video for his single "Savior" is now available on the Xite music video on-demand service, Apple Music, and TIDAL music services.

Ton-Up, Inc. is pleased to announce the release of an interview with Blood on the Saddle's guitar virtuoso and founder, Greg Davis. Davis has also played with Dead Hippie, The Vandals, and Candye Kane.

Ton-Up Inc. is pleased to announce a new campaign, "Sonic Ear Candy," promoting Ton-Up Records' Spotify profile and the "Press Play" series of official label and artist playlists, which include Eddie Star, Blood on the Saddle, Philip Paul Kelly, Dean...

Quinn Lemley packed the Triad Theater for the first two dates in December and January with her electrifying hit show "Rita Hayworth: The Heat Is On." In a performance, The New York Times called "dazzling...with one show-stopping number after another,"...